film
The Grim Surveillance Aesthetics of 'Panic Room'
In David Fincher's fifth film, the camera is unsettlingly fluid and invasive.
film
In David Fincher's fifth film, the camera is unsettlingly fluid and invasive.
horror
Thoughts on films like 'Too Many Cooks' and the 'Adult Swim Yule Logs'.
film
Finally a good reason to return to Middle Earth.
horror
Wealth inequality will melt your face.
queer
The People's Joker, I Saw the TV Glow, and Orlando make new waves in trans storytelling.
film
Few public figures understand their own iconography better than Clint Eastwood. Setting aside that weird thing where he talked to a chair, Eastwood's film work over the last 30 years has masterfully played on his own celebrity in a way that few actors or directors have been able
politics
The other day I watched a double feature of Jay Roach's Bombshell, followed by his earlier film Game Change. In contrast to my recent article on political fiction, I'm more interested here in the role that real-life political figures play in these fictionalized dramas. What
Newsletter
In the game & comic shop I spend time in, they’ve been discussing a certain new movie trailer at great length. Yet for someone who loiters about in a comic shop all day like a Kevin Smith extra, I’m little interested in the realm of geekdom. I haven’
film
Few images stand out in Stanley Kubrick’s oeuvre more than the unblinking eye of the HAL 9000 computer in 2001: A Space Odyssey, a film that would be practically unthinkable today (except in watered-down forms like Arrival or Blade Runner 2049): certainly Kubrick’s opus would be virtually
film
The best and worst thing I can think to say about Tenet, a film based upon a book that hasn't been written yet, is that it is very, very Christopher Nolan. It's arguably peak Nolan at a time when that seems least needed. "Big movies
film
film
More misadventures in bad cinema with two films in the God's Not Dead series.